Breakfast at Tiffany's

Breakfast at Tiffany's (1961), based on Truman Capote's novella, remains a true classic. The film, directed by Blake Edwards, very very subtly hints towards the occupation of Hepburn's character Holly Golightly. One could miss it entirely with enough naivety. It is possible that this is a result of the era in which it was made, but even more so, of the choice of actress to play her. It would definitely be a different film if Capote's choice, Marilyn Monroe, would have been given the role.

Even though Audrey Hepburn is an unlikely choice, she attributes to it a kind of innocence that makes this character appealing. Hepburn brandishes her own brand of beauty and style for which she will be forever recognized and amdired.

George Peppard, the film's leading man, is a complicated subject. He is definitely charming and good looking, but something is lacking somewhere. His performance is a little stale. However, he does have a little something; an element that retains a certain charm that maybe is not memorable, but stays interesting.

This film features one of the best parties in cinema history. It's buzzing with people meeting people meeting alcohol. There are some brilliant and eccentric moments, but mostly there are moments during which we recognize ourselves or friends of ours. This party remains a gem. 

The retrospectively embarassing inclusion of Mr. Yunioshi, the Japanese neighbor played by Mickey Rooney, is meant to be the comic relief, but makes spectators cringe a little, especially today. Understanding the social context in which this film was made, it remains offensive to the Asian population and serves as a testament to the stereotypes of the time. The DVD does however include a documentary on the Asian perspective of this character and of Asian actors in American films. It discusses notably the impact of George Takei as Hikaru Sulu in Star Trek. It is very enlightening and worth watching.   

The DVD also features many documentaries that give an insight in the making of this film, Tiffany's, Hepburn's style and a mildly cheesy look into Paramount Pictures' Studio.

Through time the film remains classy, stylish and smart. A thing of beauty is a joy forever.